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  • Автор:
    Каспаров

    «НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН Каспаров Гарри Кимович ЯВЛЯЮЩИМСЯ (УЧРЕДИТЕЛЕМ, ЧЛЕНОМ, УЧАСТНИКОМ, РУКОВОДИТЕЛЕМ ИЛИ ЛИЦОМ, ВХОДЯЩИМ В СОСТАВ ОРГАНА ЛИЦ, УКАЗАННЫХ в ч. 4 ст. 9 ФЗ «О КОНТРОЛЕ ЗА ДЕЯТЕЛЬНОСТЬЮ ЛИЦ, НАХОДЯЩИХСЯ ПОД ИНОСТРАННЫМ ВЛИЯНИЕМ»), ВКЛЮЧЕННОГО В РЕЕСТР ИНОСТРАННЫХ АГЕНТОВ»  Новейшая история развития шахматной игры. В пяти томах. Гарри Каспаров – многолетний лидер мировых шахмат, автор ряда бестселлеров. Пятитомник «Мои великие предшественники» создан им в сотрудничестве с известным шахматным журналистом и мастером Дмитрием Плисецким. Этот проект не имеет аналогов в шахматной литературе: 13-й чемпион мира рассказывает о судьбах и творчестве двенадцати предыдущих чемпионов и их соперников. Второй том посвящен четырем чемпионам мира - Эйве, Ботвиннику, Смыслову и Талю, а также претендентам на этот титул Кересу, Бронштейну и Геллеру. Перед вами второе издание, дополненное и кардинально переработанное. Вас ждет множество интересных находок, особенно в ключевых партиях матчей за мировую корону.

    1250.00 руб.
  • Автор:
    Капенгут

    Выдающийся теоретик и успешный тренер делится своими воспоминаниями об общении и сотрудничестве с Михаилом Талем, Анатолием Карповым, Исааком Болеславским, Еленой Ахмыловской и другими незаурядными шахматистами. Отдельная большая глава – рассказ о многолетней работе с Борисом Гельфандом: за эти годы (1980-1993) ученик прошел путь от 12-летнего кандидата в мастера до обладателя 3-го рейтинга в мире. Альберт Капенгут – обладатель 6 золотых медалей Всемирных студенческих Олимпиад, семикратный чемпион Белоруссии, участник личных и командных чемпионатов СССР среди мужчин, чемпион СССР в составе команды «Буревестник». В книгу вошли 70 подробно прокомментированных партий автора, внимательное изучение которых поможет читателю не только лучше разобраться в популярных дебютных схемах, но и почувствовать вкус к серьезной аналитической работе. «Мой рассказ не столько о карьере, хотя “из песни слов не выкинешь”, сколько о запомнившихся ситуациях, зачастую смешных, иногда нелепых, и пунктиром о людях, встречавшихся на пути, иногда со штрихами биографий, побуждая читателей заинтересоваться более полной информацией…» (А. Капенгут). Для широкого круга любителей шахмат.

    1300.00 руб.
  • Автор:
    Каройи

    Международный мастер Тибор Каройи и мастер ФИДЕ Тигран Гёзалян подготовили капитальный труд (в двух томах), посвященный жизни и творчеству 9-го чемпиона мира по шахматам Тиграна Петросяна. В томе I (1942-1962) рассказывается о детских годах Петросяна, начиная с военных лет, успехах в чемпионатах Грузии и Армении, о превращении его в шахматиста мирового уровня (чемпион СССР, олимпийское золото). Заключительный год - победа на знаменитом турнире претендентов на Кюрасао-1962. Авторы с привлечением современных компьютеров подвергли глубокому анализу 148 полных партий и фрагментов, дали характеристику почти всем известным партиям Петросяна за этот период на фоне движения по турам в каждом турнире и матче. Очень немногие из приводимых партий детально изучались ранее, но и тогда в книге дается существенно улучшенный анализ. Среди противников Петросяна в томе I - чемпионы мира и претенденты Фишер, Таль, Спасский, Ботвинник, Смыслов, Эйве, Корчной и Бронштейн, а также Керес, Геллер, Бенко, Полугаевский, Решевский, Тайманов, Котов, Глигорич и др. Отдельное внимание уделено его тренерам - Эбралидзе, Лилиенталю и Болеславскому. Приводятся редкие фотографии из частных коллекций шахматистов Грузии и Армении, многие из которых ранее не публиковались. Автор предисловия - один из сильнейших шахматистов Армении Девон Аронян. Фото на обложке: Тигран Петросян играет с Константином Кламаном в полуфинале чемпионата СССР, Тбилиси (9-й тур), 1949. Фото из архива Давида Гургенидзе. Отрывок

    1500.00 руб.
  • Автор:
    Ежов

    Гроссмейстер Карлос Торре – словно шахматная комета; его гений ослепительно вспыхнул и быстро погас на шахматном небосводе! Он – автор самой знаменитой «мельницы» в истории шахмат, в её безжалостные жернова попал 2-й чемпион мира Эмануил Ласкер. Авторы рассказали о жизни и творчестве мексиканского гения (в книге 25 прокомментированных партий К.Торре). Приводится книга Торре «Как формируется шахматист», очерк международного мастера Ярослава Призанта об атаке Торре в современной практике. В разделе «Сыграй как Торре» – 36 поучительных примеров из его практики для решения. В заключение дано интервью с Карлосом Торре, взятое у него Габриэлем Веласко в 1977 году. Работа с книгой доставит читателям не только эстетическое удовольствие, но и поможет повысить своё мастерство.

    550.00 руб.
  • Высота короля - 95 мм, диаметр основания короля 42 мм. В настоящее время используются в турнирах Центрального дома шахматистов. Комплект продается без доски. Фигуры с утяжелителем

    1800.00 руб.
  • Автор:
    Кобленц

    В книге «Дорогами шахматных сражений» Александр Кобленц, многолетний тренер Михаила Таля, рассказывает о первых 12-ти годах шахматной карьеры волшебника из Риги, в которые он проходит путь от обещающего юниора до чемпиона мира (1960 г.), и также рассказывает о матч-реванше против Михаила Ботвинника (1961 г.). Впервые эта классическая книга была опубликована в СССР в 1963 г., в ней содержится 77 партий и фрагментов с примечаниями автора, его репортажами с мест событий и инсайдерской информацией. Приводятся пять партий Таля из матча 1960 г. и семь – из матч-реванша 1961. Помимо Ботвинника, соперники Таля – Бобби Фишер, Василий Смыслов, Тигран Петросян, Борис Спасский, Давид Бронштейн, Виктор Корчной, Пауль Керес, Ефим Геллер, Юрий Авербах и другие шахматные звезды 1950–60-х годов. Анализы проверил на компьютере и скорректировал международный мастер Валерий Бронзник. Не мешая Кобленцу показывать, как Таль уничтожал противников в волшебном стиле атакующих шахмат, Бронзник открыл много новых изумительных идей в талевских партиях, и книга в целом служит практических руководством по боевым шахматам. Специально для нового издания предисловие написал гроссмейстер Алексей Широв.

    500.00 руб.
  • Автор:
    Журавлев

    Данное учебное пособие адресовано тем, кто хочет самостоятельно научиться играть в шахматы и совершенствоваться дальше. Поурочный метод изложения, а также многочисленные упражнения способствуют последовательному усвоению правил и законов, составляющих основу шахматной игры. В книге собран обширный учебный материал, который подается читателю в соответствии с современными педагогическими принципами. Цель данного пособия - подготовка шахматистов III разряда (рейтинг до 1800). Учебник также может быть использован и для занятий в группах - он охватывает материал существующих программ первого года обучения в детских и юношеских шахматных школах.

    700.00 руб.
  • Шахматы были изобретены в V веке нашей эры в Индии и распространились по всему миру. Уникальность этой игры в том, что она до сих пор охватывает умы всех - от мала до велика! Шахматы сочетают в себе элементы науки и спорта. Они развивают логику, усидчивость, внимательность, аналитическое мышление и память.  Шашки - веселая, динамичная и сравнительно несложная игра. Она есть в каждой стране мира. Здесь сравнительно проще найти партнера, нежели в шахматах. Нарды – одна из старейших известных настольных игр. Известно, что она пришла к нам с Востока. Для начала, необходимо освоить основные техники, чтобы потом смело во время партии применять различные хитрости.  Длина клетки: 4,5 см. Высота Короля: 8,8 см. Диаметр основания Короля: 2,8 см. Длина и ширина поля в развернутом виде: 44 Х 44 см. Материал: дерево Страна-производитель: Китай.

    2450.00 руб.
  • Автор:
    Файн

    В безбрежном океане шахматной литературы сравнительно немного книг об эндшпиле, и лишь немногие из них можно отнести к настоящей шахматной классике. А наиболее выдающаяся среди классики — книга Ройбена Файна «Основные шахматные окончания». Ройбен Файн (1914−1993) долгое время был одним из лучших шахматистов мира. Как автор Файн показал себя великолепным аналитиком, понимавшим всю глубину и особенности эндшпиля. Изучив разнообразные типы стандартных позиций, Файн установил полезные правила по части практической игры и показал себя опытным наставником, который, используя умело подобранные примеры, смог преподать читателю все необходимые уроки и познакомить его с основными идеями эндшпиля. Многие поколения шахматистов в разных странах мира хранят у себя экземпляры «Основных шахматных окончаний». Например, Михаил Ботвинник считал труд Файна самым достойным из всех, что когда‑либо писались по теории эндшпиля.

    1050.00 руб.
  • Автор:
    Барский

    Шотландская партия привлекательна для играющего белыми тем, что выбор направления борьбы зависит от него самого, подстраиваться приходится черным. Дебют опирается на солидную позиционную базу: вы можете включить в свой «белый» репертуар сравнительно простые схемы, где достаточно запомнить основные планы сторон и типовые маневры. Конечно, есть и острые варианты, где игра идет ход в ход. Чтобы разобраться в их тонкостях, придется приложить определенные усилия, но зато вы получите отличный шанс застать соперника врасплох и получить серьезный перевес уже к 12-15 ходу.

    632.50 руб.
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    ORIGINAL SOVIET CHESS PHOTO FROM 12TH USSR CHESS CHAMPIONSHIP IN 1940 YEAR.  SIZE OF THE PHOTO – 8,5 cm x 5,5 cm 12TH SOVIET CHESS CHAMPIONSHIP:   This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won.   PK7

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    ORIGINAL SOVIET CHESS PHOTO FROM 12TH USSR CHESS CHAMPIONSHIP IN 1940 YEAR. CHESS GRANDMASTER ALEXANDER KOTOV. SIZE OF THE PHOTO - 8,5 cm x 5,5 cm 12TH SOVIET CHESS CHAMPIONSHIP: This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won.   Арт ПК1

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    Soviet Chess Photo: Anatoly Karpov play tennis Dimensions: approx. 20 * 25,5 cm Photo from archive of Alexander Roshal Alexander Borisovich Roshal (1936 – 2007) was a Soviet chess master and journalist, the co-founder and editor-in-chief of the magazine (chess review) «64» Арт ПК1  

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    Vladimir Makogonov SIZE OF THE PHOTO - approx. 4 cm x 5 cm This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won.Арт ПК 2  

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    2639.00 руб.

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    ORIGINAL SOVIET CHESS PHOTO FROM 12TH USSR CHESS CHAMPIONSHIP IN 1940 YEAR. CHESS GRANDMASTER VASILY SMYSLOV. SIZE OF THE PHOTO - 8 cm x 5,5 cm 12TH SOVIET CHESS CHAMPIONSHIP: This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won.   Арт ПК1

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    November 27, 1962. 30th Anniversary Chess Championship of the USSR in Yerevan 1962   Korelov - Khodos. Scoresheet of Korelov. Арт пк3

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    Soviet Grand Chess Photo: Chess in the USSR. Mid-20th century   Simultaneous game session by Mikhail Botvinnik. Dimensions: approx. 19,5 * 27, 5 cmArt PK5

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    Soviet Grand Chess Photo: Chess in the USSR. Mid-20th century   Simultaneous game session by Mikhail Botvinnik Dimensions: approx. 19,5 * 27, 5 cm Арт

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    Soviet Grand Chess Photo: Chess in the USSR. Mid-20th century   Simultaneous game session by Salo Flohr  (?). Dimensions: approx. 20 * 28 cm Арт

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    Isaac Efremovich Boleslavsky                           SIZE OF THE PHOTO - approx. 8,5 cm x 5,5 cm   12TH SOVIET CHESS CHAMPIONSHIP:   This is a photograph from the famous 12th Soviet Chess Championship held in the Grand Hall of the Moscow Conservatory from September 4th through October 3rd, 1940. The 12th Soviet Chess Championship was truly a battle of the titans. Outstanding players such as Mikhail Botvinnik, Paul Keres, Vasily Smyslov, Alexander Kotov, Isaac Boleslavsky, Igor Bondarevsky, and Andre Lilienthal took part. This so-called "absolute championship" is rightfully considered one of the strongest USSR chess championships ever held. Here’s an excerpt from Mikhail Botvinnik’s memoirs. "It was a tough tournament. There were many participants and very few off-days. The Grand Hall of the Conservatory has excellent acoustics. The spectators behaved impudently, made a great deal of noise, and clapped all the time. The excellent acoustics only made matters worse. Supposedly, Sergei Prokofiev applauded Keres vigorously after the latter won a game. The other people in his box reprimanded him,, and then the composer remarked, "I have every right to express my feelings." Would my friend Mr. Prokofiev be happy if he were playing a trio and spectators applauding the violinist’s performance drowned out his piano piece? Chess players are in a worse position, though. A pianist can afford to play a few false notes amid booming applause, something a chess player isn’t allowed to do." The results of the 12th Soviet Chess Championship were truly sensational, since two young players, Andre Lilienthal and Igor Bondarevsky, came in first and second, respectively, leaving grandmasters Mikhail Botvinnik and Paul Keres, the tournament favorites, far behind. The unprecedented hype surrounding this tournament matched its historical significance. After all, the unofficial right to contend for the world championship crown, as well as the prestigious title of USSR champion were on the line. "The most difficult and most monumental tournament in which I’ve ever taken part has come to a close," Andre Lilienthal wrote. "I have no reason to be displeased with myself. First off, my win over Botvinnik himself wasn’t too bad. Secondly, I snatched what seemed to be an irrevocably lost point from Bondarevsky in the last round. Thirdly, I managed not to lose a single game. Fourthly, I wound up in the wonderful young company of Bondarevsky and Smyslov at the top of the leaderboard. A decisive match for the title of USSR champion is up next. I have to prepare thoroughly for it, which, first and foremost, means getting some much needed rest." Three months after the tournament was completed, on January 14th, 1991, the Soviet Committee on Physical Culture and Sports issued an order approving the tournament results and awarding Bondarevsky and Lilienthal, the tournament winners, grandmaster titles; however, this order was missing a key point, since it did not mention any sort of match between the two victors. That strange inconsistency came to light a month later when it was decided - through a behind-the-scenes power struggle - that one more tournament for the title of absolute USSR champion would be held, a tournament Mikhail Botvinnik won.       Art PK4